Phra eishthrio gia tis 29 apriliou sthn boydapesth :-D Poly fthino gia thn terastia arena poy paizoun.. Oi rammstein sto idio venue ekanan girw sta 70 eurw mprosta mprosta sthn arena kai oi nightwish 30 O.O
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Nightwish Part 5
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^Se miso!!! 
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...Ψήνομαι άγρια όμως 
(Μόλις έβαλα τα 5 πρώτα ευρώ στον κουμπαρά)
(Μόλις έβαλα τα 5 πρώτα ευρώ στον κουμπαρά
)
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here it is!
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sinehizo na se miso!
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Χαχαχαχαχα
Να σε ρωτήσω προλαβαίνω να τα κλείσω μέχρι τον Δεκέμβριο? Δεν πιστεύω το συγκεκριμένο να γίνει sold-out α? thanks procatavolicly
Εδώ είναι μερικά reviews που βρήκα:
είναι και μερικές άλλες φινλανδικές που δεν έχουν μεταφραστεί ακόμα.
Να σε ρωτήσω προλαβαίνω να τα κλείσω μέχρι τον Δεκέμβριο? Δεν πιστεύω το συγκεκριμένο να γίνει sold-out α? thanks procatavolicly
Εδώ είναι μερικά reviews που βρήκα:
- Σπόιλερ:
- Imperiumi.net http://www.imperiumi...erviews&id=1489
Nightwish: Imaginaerum pre-listening session at Finnvox Studios, Helsinki
Oct 10. 2011
Usually pre-listening sessions happen in one of Finnvox's isolated studio rooms where media people are stuffed like sardines in a can. Not today. About 30 representatives of media have arrived for the 14 pm pre-listening session of the Imaginaerum CD by Nightwish, due out Nov 30. 2011. Such a large flock of "media reindeers" is chased in an auditorium which has been set up in the drum recording room.
The room has bee decorated with art from the CD booklet. The whole back wall is covered by the Imaginaerum-panorama with the CD-cover included. In front of us we have the wheel from Storytime CDS cover, formed of a raven, a dove and an owl. Seven more symmetrically placed framed pictires and wall-cloths present us a dusty library, airships, a storm-beaten rocks occupied by mermaids and other fantastic images which I'm not allowed to tell about yet. The band also banned photography in the listening room, hence I will not describe even verbally the booklet art by ToxicAngel, the band's "palace-artist" from Kitee, but anyone can have a look at the photos and t-shirts which have been published already.
Viewing the art is a clever move from the band. The pictures are not set up for decoration, but to guide us. They intend to manipulate the listeners, to tell us what kind of images the music is about to create.
The band sit in the right-hand corner in the back. We guests are about to hear the album for the first time. The four in the back - the singer is not present - have had the 75-minute colossus for an album up to their throats. Like any band after finishing a new CD.
The meadia monkeys set their asses to the bench, shut the traps and open the ears.
Rattle, like winding a watch. Taikatalvi. no, it's not a watch, rather a musical box. Yes. Bling, blong, bling, a baby's musical box starts up for a walz. An old-style Finnish walz sung by Marco Hietala in his domestic language, softly, but scratchy.
On Storytime Emppu's guitar growls an edgy, thrashmetal-like riff. The guitar wall is so thick and sharp that the guitar doesn't ring but only growls; industrial-like, without a melody. The London Philharmonics roar with full line-up straight from the beginning. No wonder why this track was picked as the first single. The sound of Anette Olzon who first time gets to sing a song composed for her own voical range makes me think that probably nobody has ever welded so seamlessly together some pole-hammer riff, Hans Zimmer and ABBA. The chorus is light like the wind, luminous and uplifting, it flies, in the same spirit as "Dark Chest Of Wonders". Towards the end Anette Olzon's harmonic singing grows constantly into bigger role and makes the hair stand up. Now, she has taken a serious hold of the singing duties and makes me think "hey, is this how the genuine Anette can sing"?
I hear the chorus, it is a grand opera,
Ah this indeed is music -- this suits me.
The main riff of Ghost river is atypically twisted for a Nightwwish song. In some pervy way it reminds me about Eddie Van Halen's string twirling. The song is partially more depressing than "Higher Than Hope", but never so slow. In the backing noise spins a carousel with horses; step right up, two-pence a ride, would I dare? Guitar plays surprising hardrock-ish melody leads. The orchestra roars itself into the same category of massiveness like on "Poet And The Pendulum" which actually comes to mind in the C-part of this track. Also the children choir is heard.
Slow, Love, Slow is smoky nightclub jazz from Hell. After the piano intro we can hear the miraculous thing that on a Nw-record there are brushes used to play swing. The song is built by a piano, a cello, a clarinet, a trumpet and a completely clincally played guitar solo which according to Vuorinen's own words would never had happened in sober condition. Hence the best take was saved "at zero-point-three level at the last year's summer camp". Anette Olzon moans, stretches, ruffles, sighs and almost howls, like flirting on top of a grand piano. If Tuomas still writes his diary in music and everything affects in anything, so could these influences have come from New Orleans? The track ends in clanking, like a pendulum of a grandfather's clock. TICK – TOCK - TICK – TOCK – TICK – TOCK – TICK – it doesn't seem to end at all – TOCK – TICK – TOCK – TICK – TOCK – TICK – TOCK – TICK, until, without a break between tracks, explodes...
I Want My Tears Back, with thrash-like riffs spiced celtic folk. Wellwhynot? The track could be re-named ”Last Of The Wilds”/”Erämaan viimeinen” part two. The "sixth member" of Nightwish, the ethno-piper maestro Troy Donockley takes responsibility about the melody with his Uileann pipes and tin whistle. The light-hearted orchestra accompany him. The track is melodic, a fresh gust of wind and the chorus makes a granted hit. Would be a miracle if this song one day didn't find it's way on a CDS release.
Scaretale. A grand piano, a church bell and a child's horror. A new sound emerges from Anette's throat. Now Olzon snarls and growls like an evil witch. The orchestra plays loud and rattling double bass drumming takes Nightwish back to their powermetal roots for a while. The interlude is frightening, depressing. The track turns into a nightmare in the bouncing, insane play which souds like Danny Elfman chewed one magic mushroom too many and attacked in the Finntrolls' training cave in the middle of their most intense fly-agaric-mushroom ratatattat-humppa session.
Arabesque brings the lunatics back down from the walls and takes them straight to the Middle East. The track is very strange, oriental sounding instrumental. The rhythmic part felt distant but created strong images. Is this an Arabic bar? A death dance of an Egyptian arabesk dancer?
Turn Loose The Mermaids starts with a piano, strings and acoustic guitar as a slow song. Pounding drums and Troy's flute will take over and the song turns into Irish-folk gear. Marco whistles a clean Ennio Morricone -style spaghetti-western theme for the C-part. Close the end Anette's harmonies make the hair stand up again. The song stops abruptly in the middle of a folkish pace. Was there any orchestra at all?
Rest Calm opens with a very Nightwish'y guitar riff. I'd even liked to call it bland: ratatat, ratatat. The verse roars like helluvaplanet but the chorus makes an interesting break-out from the usual pop-stencil. It's not risen higher but instead the chorus is sung more silent and calm, slower. Moderato. The third chorus round Anette shares with the children choir and the song erupts towards the end like making room for something megalomaniac coming next, but...
The Crow, The Owl And The Dove is completely different Nightwish than anything before. The band named this "the fowl song". It's delicate duet; pure pop without a hint about metal or cinema. Not even orchestra. If this will ever go on a single, it will rather be played on the mainstream radio than on metal broadcasts. Troy Donocley singing in old style English proves himsef to be a decent voclist. The man has a cool sound which makes a great match to Anette's.
Last Ride Of The Day. The park will be closed, the Ferris Wheel will spin one more time, it's time to end the games of the day and for the Deadboy to lay down. The arrangement of this goliath is in the class of a 50-storey building. My diminutive and evil mind flashed a thought that with this track all the sound nerds watching the soundwave graphics on their computer screens will have a reason to whine about how the dynamic range is flattened, limiters beeping alert, how the sound has been squashed, loudness war and quackquackquack. This track is surrealistic Nightwish-orchestra-heavy-metal as one may expect from them, if there ever will be anything "typical" to expect from Nightwish. By the way, this track contains the only high-flying guitar solo on the album.
Song Of Myself
song 1: From A Dusty Bookshelf
song 2: All That Great Heart Lying Still
song 3: Piano Black
song 4: Love
The border of the parts in this gigantic epos won't clearly shape up with one listen. The track is based on Walt Whitman's transcendential poem (of which the rhymes between this article's section's have been brutally ripped) The melodic spine of this mammouth of a track is ”All That Great Heart Lying Still”, which could be separated and made into another track.
”Piano Black” passed my ears without leaving traces, curse of these damned pre-listening sessions. Even if one had the mental abilty to form a shape from pieces, combined with a perfect auditory memory, it would be impossible to digest all of such an epic track like this.
"Love" ponders in Troy's beautifully higlighting voice about things wich most time remain unseen. Misery and beauty, bad luck and pity, like sneakily, by the corner of the eye and in filthy alleys. Observed but then ignored in the furious pace of being. The curse of the world and it's humans, roughness and charm, all between the same bookends.
”Love” speaks with the voices of Nightwish's dearest, impossible to identify, but Imaginaerum will make them all immortal. Forever. Symbolism, metaphors, multiple meanings. There are definitely more, much more layers in this track than ears can recognize. The full scale of emotions in this track will most likely remain uncomprehended for everyone except for Tuomas himself.
At length let up again to feel the puzzle of puzzles,
And that we call Being.
Imaginaerum. Once again, everything repeated, a second round without the bands's instruments. A packed combination of pieces taken from all tracks but never repeating any. An interesting outcome, almost shapeless yet coherent ending for the album which will leave one's head sizzling with thoughts.
None of the media people says a word. An hour and a quarter has passed, yet nobody realized nor expected the album to have ended. Marco has to tell it aloud to us.
Some people have claimed the new album as the heaviest and most pompous form Nightwish yet. I do not agree at all. The sound environment on the CD is just as massive and crowded as before, but when comparing the sound wall [to previous CDs] the claim is untrue. The symphony orchestra does not roar on every track, neither does Emppu's Mesa-Boogie Dual Rectifier crank up it's crushing wall of sound. By the athmosphere Imaginaerum is partially heavy, but as a whole it lacks the gloominess of Dark Passion Play, it lacks the coal-black internality of ”The Poet And The Pendulumin” and it does not have any ”Master Passion Greed” and ”Bye Bye Beautiful” -type mental vomiting expressions. Sure Imaginaerum is partially heavy like a 50-storey building and crazy as an outhouse rat, but it was not forced to become as such. It is a lot more liberated album than it's predecessor.
Imaginaerum definitely is the most challenging and maybe the most difficult album of Nightwish. When the repertoire will be stretched from the mix of a typical Finnish walz and musical box-lullaby through irish-folk-metal to a children choir and louge jazz during the first four tracks already, the listener can be assured that the album contents is exactly what the cover promises: roller-coasters and merry-go-rounds, amusement parks and ghost trains.
Will Imaginaerum be the best Nightwish album? I can not tell. At many parts it is like continuation for Dark Passion Play, but with the exception that Nightwish expanded the scale of their expression and thir set of musical tools. The body of Nightwish's metal existence seems stalled: Of the heaviest riffs on Imaginaerum only the one in ”Ghost Riverin” can be called creative, others sound a bit boring. Looks like the metal side of the band has been left a support role on purpose, when more fantastastic symphonies and now also even more experimental music styles are gaining space.
”Taikatalvi”, ”Slow, Love Slow” and ”Arabesque” are difficult by the shape of their musical language for "Joe the Metalhead" to comprehend already, neither will the wildly bouncing ”Scaretale” ease the listener's burden. "Storytime", "I Want My Tears Back" and "Last Ride Of The Day" found at the less demanding end of the lengthy artistic scale of this album are just typical instant-hits, the kind we luckily are able to spot on every Nightwish album and which can't be avoided on radio channels for the next few years. But as a whole, after a couple of listens, Imaginaerum is a surrealsitic experience which does not feel like 75 minutes long at all.
One has to sit in this Ferris Wheel for several rounds to believe that it even exist in the first place, and for the next, to figure out how far one can see from the top of it.
Not I, not any one else can travel that road for you,
You must travel it for yourself.
You are also asking me questions and I hear you,
I answer that I cannot answer, you must find out for yourself.
We will now stay and wait for the movie. The music creates enormous expectations for the film. It opens a silver screen for the listeners, for everybody to create their own story on it.
March - April 2012 will become 'Storytime'. Towards it we will be guided by the twiggy arm of the Snowman.
© Imperiumi MMVII. Mape Ollila
- Σπόιλερ:
- 1. TAIKATALVI
The intro bids welcome on the journey into the universe of Imaginaerum by placing the listener in a feeling of childish fascination in the best sense of the word. It is an evocative and mysterious lullaby with a somewhat dark edge. Deep rumbling from bass and orchestra carries a lighter lullaby-melody, which is quickly accompanied by Finnish singing from Marco Hietala. The name is lifted from the title of one of Tove Janssons moomin-books, and this intro really feels like a musical translation of the slightly dark edge that also characterizes the classic children’s books from Jansson.
2. STORYTIME
The first single gets the ball going with all the musical elements that you expect from an up-tempo and grandiose album opener, while it also has some extremely catchy vocal lines from Anette Olzon in its chorus. Think song-structure and some of the feel of “Dark Chest of Wonders” combined with the catchy qualitites from songs like “Amaranth” and “The Escapist”. An orchestrally dominated middle section leads to a finish consisting of higher and more elevated versions of the chorus. Lyrically the song is inspired by the cartoon “The Snowman”, whose theme song Nightwish already covered on Oceanborn from 1998. Let the snowman take you by the hand while you set off on an adventure together.
3. GHOST RIVER
The vocals of Macho Hietala steals your attention and dominates the impression of this song. A heavy intro by guitars and orchestra is quickly followed by some sinister and somewhat aggressive vocal build-up by Marco, while Marco and Anette complement each other beautifully in most of the song. This is also the first time the childrens choir really gets to dominate the sound, especially when they relieve of his duties in the final chorus. The song is dedicated to all the different feelings of life; love, sorrow, evil, friendship and much more.
4. SLOW, LOVE, SLOW
The biggest surprise of the album, and something completely new in the Nightwish-universe. A non-typical, laid-back and sexy jazz track, with all that goes with it such as relaxed bass-playing, sexy guitar notes and seducing saxophone. In the mind you picture Nightwish as midnight-entertainment in a sleazy bar, while Anette Olzon is lying casually across the piano, singing of all the promises of love with an enchanting voice.
5. I WANT MY TEARS BACK
Troy and his ulillean bag pipe take center stage here, and he lays a colorful carpet of bagpipe-notes on top of the power chords of Emppu Vuorinen, especially at the ending climax of the sung, where both circle and complement each other in beautiful solos without being particularly technical or show-off about it. Marco Hietala and Anette Olzon sing together on a chorus that once again features some quite catchy vocal lines. Longing for lost things that can only be recalled with memories seems to be the theme on this song.
6. SCARETALE
The fear and paranoia that lurks in the corners of the mind burst forth on this track, which open with some dark and disharmonic piano. The childrens choir return with some vocals that are anything but cute and sweet, and you are reminded that some of the scariest movies are those who wrap evil in a façade of childlike innocence. Hectic string activity and orchestral build-up lead to heavy riffs accompanied with double-bass pedaling from Jukka Nevalainen. Anette truly sounds like some whitch that you wouldn’t want to encounter in the woods, and later Marco comes in with some high and clear vocals. Tempo and heaviness are suddenly interrupted by a mix of paranoid circus music and Finnish humppa rythms before we return back to the rest of the song. A truly horrific and twisted ride through a rollercoaster horror house.
7. ARABESQUE
A track meant as a sort of purification after the preceding nightmare, and a relatively short orchestral track, which is overflowing with Middle Eastern sound pictures. Arabic flutes ornament the dominating musical element of the song, which is the frantic rhythm section of Middle Eastern drums.
8. TURN LOOSE THE MERMAIDS
An acoustically and emotionally driven track with some inspirations from folk music, perhaps a little bit reminiscent of The Islander, but with a bit more dominating orchestra later on in the song. Anette once again finds her emotional stroytellers’ voice, before flutes and orchestra adds their own emotional spices. One part of orchestral backdrop sounds a a bit like Ennio Morricone.
9. REST CALM
A slow and hopeful intro is replaced by guitar riffs and Marco’s vocals, which in turn unexpectedly is relieved by a quiet and warm Anette. Once again this rhythm of complementing vocals is repeated, before support to the vocal lines is given by the childrens choir. The song is meant as a tribute to those hopes and memories who bring calm, but as in the real world this is often interrupted by the heavier trespassers of the mind.
10. THE CROW, THE OWL AND THE DOVE
Another acoustically dominated song starting off in a slow tempo with Anette and Marco singing together., while the tempo is calm and gentle. Anette is then left alone in the verse, followed by a choir singing a chorus with a positive air. In the end, Anette is singing the chorus on top of the choir, and we get a guitar solo by Emppu Vuorinen.
11. LAST RIDE OF THE DAY
There is still time for a final rollercoaster-ride in the emotional and fantasy-driven theme park, and this one is a return to a more typical Nightwish-approach with its up-tempo heaviness and orchestral bombast. Anette carries most of the song vocally, with yet another really catchy chorus that Holopainen himself also copies on piano. In typical Nightwish-fashion, the songs builds up for a big ending where everything is taken up a notch by orchestra, double-bass drumming and Anette going even higher, but the ending is bit more abrupt than you might usually expect.
12. SONG OF MYSELF
The longest song of the album, divided into several parts where the last one is a big and long homage to the American poet Walt Whitman and his classic poem “Song of Myself”. The Hans Zimmer-inspirations of Holopainen can be felt in the orchestral style that dominates the beginning of the song, while delivers a vocal style a bit different than we’re used to. Later, chugging stop-start riffs dance along with orchestra in a way that really plays with your ears, and you constantly expect the song to end, while you are cheated again and again. Instead, we are then led into a long recitation of Tuomas Holopainens own Whitman-inspired poetry with a number of people reciting different parts of them poem, while the music itself is just a quiet backdrop.
13. IMAGINAERUM
A homage to the entire album dominated by the orchestra. Different sections of the orchestra play different melodies from the other songs on the album while they are woven into a whole. This is also the case for both choir as well as Troy and his pipes before we slowly descend into a long and relatively quiet outro.
είναι και μερικές άλλες φινλανδικές που δεν έχουν μεταφραστεί ακόμα.
Pretender 666- Tarja Platinum Member
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Htan yperoxes!!
Vasika egw ayto poy katalava einai oti ta kommatia me folk stixeia einai I Want my Tears Back, Slow,Love,Slow kai Arabesque.
Ta The Crow, The Owl And The Dove kai Turn Loose The Mermaids den exoyn orxhstra.. vasika de me noiazei katholoy
Poios einai O Troy poy tha tragoydaei sto Crow, The Owl ANd The Dove?
Giati den evalan ton Marco??
Ap'o,ti exoyme diavasei to Ghost River moy fenetai tha einai yperoxo dueto!
Epishs to Turn Loose The Mermaids moy exei kinhsei thn periergeia!!
Anipomonw gia to Storytime arxika!
Vasika egw ayto poy katalava einai oti ta kommatia me folk stixeia einai I Want my Tears Back, Slow,Love,Slow kai Arabesque.
Ta The Crow, The Owl And The Dove kai Turn Loose The Mermaids den exoyn orxhstra.. vasika de me noiazei katholoy
Poios einai O Troy poy tha tragoydaei sto Crow, The Owl ANd The Dove?
Giati den evalan ton Marco??Me xaropoihse idiaitera aytoit does not have any ”Master Passion Greed” and ”Bye Bye Beautiful” -type mental vomiting expressions
Ap'o,ti exoyme diavasei to Ghost River moy fenetai tha einai yperoxo dueto!
Epishs to Turn Loose The Mermaids moy exei kinhsei thn periergeia!!
Anipomonw gia to Storytime arxika!
Heaven Queen- Tarja Fan
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O Troy Donockley είναι αυτός που παίζει τη γκάϊντα στα Last of the Wilds, islander, meadows of heaven 
Το Slow, Love, Slow έχει jazz επιρροές. Καίγομαι να το ακούσω μαζί με το scaretale και το arabesque!!!
Απ'ότι φαίνεται ο δίσκος διαφοροποιείται αρκετά απ το ντιπιπι Είναι πιο ήρεμος και παράλληλα πιο..."ψαγμένος"..άλλωστε θα είναι ο πρώτος δίσκος όπου τα τραγούδια θα έχουν δομηθεί γύρω απ τη φωνή της Anette.
Παιδιά σε λιγότερο απο 2 μήνες κυκλοφορεί
Το Slow, Love, Slow έχει jazz επιρροές. Καίγομαι να το ακούσω μαζί με το scaretale και το arabesque!!!
Απ'ότι φαίνεται ο δίσκος διαφοροποιείται αρκετά απ το ντιπιπι
Είναι πιο ήρεμος και παράλληλα πιο..."ψαγμένος"..άλλωστε θα είναι ο πρώτος δίσκος όπου τα τραγούδια θα έχουν δομηθεί γύρω απ τη φωνή της Anette. Παιδιά σε λιγότερο απο 2 μήνες κυκλοφορεί
Carnivorous_Jesus- Tarja Fan
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oi nightwish einai platinenioi edw, kai h prohgoumenh synaylia sthn boydapesth htan se ena ice-hall kai htan sold out. meta ekanan sto debrecen kai htan sxedon sold out kai eixe perissotero kosmo ap o,ti sthn boydapesth... koita, apo twra na ksepoylhsei gia ton aprilio den paizei, alla ligo prin isws ksepoylhsh. dekembrio isws na einai kala.
Heaven Queen- Tarja Fan
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Α μια χαρά τότες! Αλλωστε αν δεν κάνω λάθος θα παίξουν σε μεγαλύτερο χώρο στη Βουδαπέστη οπότε γι'αυτό φαντάστηκα ότι μέχρι να ξεπουλήσει θα παρει καιρό. Σε ευχαριστώ! Danke! Kiitos! Όλα μαζί 
Να και μια καινούργια συνέντευξη του Tuomas στα αγγλικά επιτέλους!!!
https://www.youtube.com/watch?v=7jVJcWj7d14
Να και μια καινούργια συνέντευξη του Tuomas στα αγγλικά επιτέλους!!!
https://www.youtube.com/watch?v=7jVJcWj7d14
Pretender 666- Tarja Platinum Member
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Poly wraia h synedeyksh!
Kai se eyxaristoyme poly Natalia gia to poly yliko poy mas dineis!!
To mono poy me "ekneyrizei" (as to poyme etsi) einai giati dinoyn toso megalh shmasia sthn tainia. Diladi sthn erwtish poy toy ekane poio exei protereothta gia ayton, to album h' tainia, safws kai perimena na pei to album. Den ta ksexwrizei leei
Arxizw na pisteyw pws protimoysa na mh ginei katholoy tainia. Tha to gyrisei sto skinothetiliki, sas to lew Einai poy einai trelos, den argei na toy gyrisei eykola
Elpizw mono sto mellon na min yparksei allh tainia. As minoyme sta moysika plaisia.. giati polloi hdh exoyn katataksei to eidos moysikhs toy imaginaerum ws ekshs: metal, rock, cinema. O xristos kai h panagia! Cinema, neo eidos moysikhs
Kai se eyxaristoyme poly Natalia gia to poly yliko poy mas dineis!!
To mono poy me "ekneyrizei" (as to poyme etsi) einai giati dinoyn toso megalh shmasia sthn tainia. Diladi sthn erwtish poy toy ekane poio exei protereothta gia ayton, to album h' tainia, safws kai perimena na pei to album. Den ta ksexwrizei leei
Arxizw na pisteyw pws protimoysa na mh ginei katholoy tainia. Tha to gyrisei sto skinothetiliki, sas to lew
Einai poy einai trelos, den argei na toy gyrisei eykola Elpizw mono sto mellon na min yparksei allh tainia. As minoyme sta moysika plaisia.. giati polloi hdh exoyn katataksei to eidos moysikhs toy imaginaerum ws ekshs: metal, rock, cinema. O xristos kai h panagia! Cinema, neo eidos moysikhs
Beast Of Prey- Tarja Gold Member
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Όνομα : Nikos
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Τόπος : Thessaloniki
Μέλος από : 07/01/2010
to cinema panta ipirhe os "tampela" stous Nightwish...ennoei oti einai mousiki pou thimizei se kapoia meri soundtrack tainion!kai basika pisteuo oti ontos ishiei!
Heaven Queen- Tarja Fan
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Καλα νταξει η ταινια δεν μπορει να εχει δευτερευουσα σημασια γι'αυτον εφοσον ειχε αυτος αρχικα την ιδεα να γυριστουν 12 κλιπ για το καθε τραγουδι...Ειναι ενα φιλοδοξο προτζεκτ το οποιο ομως και να αποτυχει θα βγαλουν τα σπασμενα απ' τις συναυλιες (Αλλωστε η ταινια εχει χαμηλο budget γυρω στα 4.000.000 ευρω οποτε τα μισα θα τα βγαλουν σιγουρα).
Αυτο που με καθησυχαζει - βεβαια θα το κρινουμε εμεις - ειναι οτι το αλμπουμ θα στεκεται μονο του, δηλαδη δεν θα λειτουργει αποκλειστικα ως soundtrack. Ειναι ενα nw αλμπουμ οπως ολα τα προηγουμενα.
Προβλεπεται να σας υπερφορτωσω ξανα μιας και μας εχουν πλακωσει στα νεα τελευταια :
http://www.soundi.fi/node/13203 (αυτο δεν ειναι μεταφρασμενο και ουτε χρειαζεται. απλα εχει ωραιες φωτο και σε "προειδοποιει" για το 10σελιδο αφιερωμα )
Μια ριβιου:
και μια μικροσυνεντευξουλα:
http://metalshrineblogg.blogspot.com/2011/10/intervju-med-tuomas-holopainen-i.html
Αυτο που με καθησυχαζει - βεβαια θα το κρινουμε εμεις - ειναι οτι το αλμπουμ θα στεκεται μονο του, δηλαδη δεν θα λειτουργει αποκλειστικα ως soundtrack. Ειναι ενα nw αλμπουμ οπως ολα τα προηγουμενα.
Προβλεπεται να σας υπερφορτωσω ξανα μιας και μας εχουν πλακωσει στα νεα τελευταια
: http://www.soundi.fi/node/13203 (αυτο δεν ειναι μεταφρασμενο και ουτε χρειαζεται. απλα εχει ωραιες φωτο και σε "προειδοποιει" για το 10σελιδο αφιερωμα
)Μια ριβιου:
- Σπόιλερ:
- Preliminary report: How did Nightwish’s Imaginaerum sound like?
The Finnvox studio is as comfortable as a construction site container. Apparently they haven’t invested in the furniture after the 70s. It is in some way so typical for Finns that successful products are made in darkened department buildings. And even if the symphonic orchestras are roaring on Nightwish’s albums, the band has focused on the content instead of walls, just like the owners of Finnvox.
In the end, Nightwish’s popularity is based on Tuomas Holopainen's compositions and their big implementation, although sometimes the band is about to slip into as artistic as posters in a home decor department of a department store. Decks and hipsters do not dig it, but in Europe, Nightwish plays their fantasy operas at the same ice stadiums as the AC/DC.
When the bombs are exploding and people cheering, it’s hard for an androgyny who is wearing spectacles and pipe jeans to come and say: “Bonnie Prince Billy is better. I read it on Pitchfork with my Mac.”
The band members, excluding Anette Olzon, are present, as well as the manager Ewo Pohjola. He shows how the internationally successful company is run. Pohjola is wearing the best sweatpants he has found in his wardrobe.
Imaginaerum is as bombastic as it can be, surprisingly. Nightwish makes all kinds of music. The material contains pure Zimmer-Elfman soundtrack music, symphonic heavy metal, soft acoustic music, and one jazz pastiche. The band sounds relaxed and Anette Olzon’s vocals are often remarkably good.
Since the descriptions of each song in chronological order after one listening wouldn’t probably be accurate or correct, here are briefly the best moments of Imaginaerum.
Slow, Love, Slow
The surprise attack on the jazz side is possibly the best song of this album. Anette Olzon sings nicer than ever in Nightwish. When the band practiced the new material in Kitee, the drum virtuoso Kai Hahto visited in the training sessions teaching the drummer Jukka Nevalainen some secrets of drum brush techniques.
Last Ride of the Day
The best heavy metal song of the album, quick and aggressive. It begins with a choir, but its savage echo shrinks into shambling and dry roar. The folkish chorus lightens the weight of the roaring metal band and gigantic orchestration. Emppu Vuorinen gets to play a great shredding solo and nice stems. The string arrangement at the end is awesome.
Turn Loose the Mermaids
An ethereal song that begins acoustically. Once again references to children's songs and Irish folk. When Nightwish gets rid of the compulsory distortion guitars and double bass drums, the compositions will truly take you along. The further away from the power metal conventions the band can reach, the more interesting its music becomes.
Storytime
The first single of the album. And it’s a conservative choice. Nightwish plays heavily and the orchestra roars like hell. The song is a typical Nightwish composition, in a good way. The band sounds more relaxed than ever before. Either the material is composed especially for Anette Olzon, or the production team has managed to disclose her best skills. Olzon sounds relaxed and expressive compared to most metal screamers.
As a whole, the 75-minute album causes some listening fatigue from time to time. There is simply so much information that it feels a heavy packet to be listened to at one time.
At times, even the sharpest modern metal elements feel superimposed, as if Nightwish was playing heavy metal just for the sake of heavy metal. Even Holopainen isn’t able to write a hit chorus for every song. A good example is I Want My Tears Back.
On the other hand, there’s nothing wrong with the parts composed for the Imaginaerum movie, which is currently in post production. While in most movies the fateful mood is created with sample libraries and piped music, the soundtrack of Imaginaerum is implemented exceptionally carefully, and it sounds authentic.
Rock movie is a difficult genre. Or do you know a KISS fan who has found the band through the movie KISS Meets the Phantom of the Park? Therefore, you have to take your hat off to anyone who is crazy enough to try.
και μια μικροσυνεντευξουλα:
http://metalshrineblogg.blogspot.com/2011/10/intervju-med-tuomas-holopainen-i.html
Beast Of Prey- Tarja Gold Member
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Όνομα : Nikos
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Μέλος από : 07/01/2010
ante ante ligotero apo 2 mines!!!
Ktn- Mod
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Τόπος : The Quiet Place [Βόλος]
Μέλος από : 01/07/2008
..ενδιαφέρον! Τα υπόλοιπα ρηβιουζ να πω την αλήθεια μου δεν έχω κάτσει να τα διαβάσω, αλλά κάποτε θα γίνει κι αυτό. Thanks για το υλικό πάντως (:Heaven Queen έγραψε:http://www.soundi.fi/node/13203
Όσο για τα της ταινίας, έχω την υποψία ότι επαναλαμβάνομαι, αλλά τες πα. Όπως το βλέπω γω, το να έχει κάποιος καλλιτέχνης μια ιδέα για κάτι πέρα από τα συνηθισμένα ή γενικά να μη σκέφτεται όπως σκέφτονται οι περισσότεροι στο χώρο του -είτε μιλάμε για μουσική, είτε για κινηματογραφο, είτε για οτιδήποτε-, μόνο κακό δε μπορεί να είναι. Τώρα αν θα τους βγει το αποτέλεσμα όπως θέλουν είναι ένα άλλο θέμα, αλλά ως κονσεπτ, εγώ του βγάζω το καπέλο που δε φοράω.
Heaven Queen- Tarja Fan
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Συμφωνώ απόλυτα!
Heaven Queen- Tarja Fan
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Να και μια φωτο(απ'τις καλυτερες κατ'εμε):
http://a7.sphotos.ak.fbcdn.net/hphotos-ak-ash4/307869_291036614259663_100000599802960_1123482_1967216164_n.jpg
ειναι απο ενα αρθρο σκαναρισμενη.
ιδου και οι υπολοιπες:
http://www.sandra-heilemann.info/TH/soundi/4.jpg
http://www.sandra-heilemann.info/TH/soundi/6.jpg
http://www.sandra-heilemann.info/TH/soundi/10.jpg
http://www.sandra-heilemann.info/TH/soundi/cover.jpg
http://a7.sphotos.ak.fbcdn.net/hphotos-ak-ash4/307869_291036614259663_100000599802960_1123482_1967216164_n.jpg
ειναι απο ενα αρθρο σκαναρισμενη.
ιδου και οι υπολοιπες:
http://www.sandra-heilemann.info/TH/soundi/4.jpg
http://www.sandra-heilemann.info/TH/soundi/6.jpg
http://www.sandra-heilemann.info/TH/soundi/10.jpg
http://www.sandra-heilemann.info/TH/soundi/cover.jpg
Beast Of Prey- Tarja Gold Member
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ti latreuo autin!opos kai tin alli me tin Anette pano sto piano kai ton Tuomas!
Ktn- Mod
Αριθμός μηνυμάτων : 2029
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Τόπος : The Quiet Place [Βόλος]
Μέλος από : 01/07/2008
..τελειότητα η πικ! Ένας κι ένας! Ο Jukka με το καπελάκι, η Anette diva, ο Emppu Pete Townshend-style, Marco με το κοντραμπάσο και ο Tuomas.. ως Tuomas. Τι να λέμε!
Και μπδγ, 20 μέρες για το Storytime
Και μπδγ, 20 μέρες για το Storytime
evanescencespko- Admin
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wannabe Diva stin kalyteri
Pretender 666- Tarja Platinum Member
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Μέλος από : 18/03/2010
^Haha wraioss :p
Beast Of Prey- Tarja Gold Member
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Μέλος από : 07/01/2010
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa thelo thelo thelo thelo thelo!!!2 bdomadessssssss pote tha perasoun aaaaaaaaaaaaaa thelo thelo thelo!!!
den to akousa mono eida to video!!!
thelo thelo thelo!!!
2 bdomades
14 meres
336 ores
20160 lepta
1209600 deuterolepta!!!
thelo thelo thelo!!!
evanescencespko- Admin
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"The Antichrist is coming to earth"
-Spyros
fun
-Spyros
fun
Pretender 666- Tarja Platinum Member
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Μέλος από : 18/03/2010
^Ayto poy kollaei?
Poly omorfo ayto poy akoysa apo to Storytime.
Moy arese arketa borw na pw.
Poly omorfo ayto poy akoysa apo to Storytime.
Moy arese arketa borw na pw.
pikkumyy- Tarja Gold Member
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Πωπω, πόσο αδημονώ για νέο album Nightwish!! Μ΄άρεσε αυτό που άκουσα.
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